The Z 28mm f2.8 has 9 elements in 8 groups, the Z 24mm f1.8 S is a 12/10 design, the Z 24-50mm f4-6.3 is 11/9. Only the Z 24mm f1.8 S has Nikon’s Nano-Coating to reduce flare, glare and ghosting. Minimum object distance / maximum magnification: In manual focus I was able to get down to 0.18m (0.6ft.) distance with a maximum magnification of 1
Nikon Nikkor Z 24-70 mm f/2.8 S. 4. Image resolution. It's just a beginning of our tests of the Nikon Z system lenses based on the Nikon Z7 body; the RAW files, produced by that camera, were developped by neutral software such as dcraw. We have been able to check thoroughly optical properties of several fixed-focal instruments of this system so
The Nikon Z 70-200mm f/2.8 VR S lens marks the first “serious” telephoto lens in Nikon’s still relatively new full-frame mirrorless system. Although there is also a 24-200mm “superzoom” lens, this one is more squarely aimed at professionals and high-end enthusiasts thanks to its superior design and maximum wide aperture (f/2.8).
The 24-70 and 14-30 f4 Z were a strong draw to Z mount for me but ultimately I preferred the Sony & 3rd party primes on E mount, and the 17-28/2.8. I'm curious to see what Nikon will do with their 70-200/4, I hope we start seeing more extending 70-200s like the Tamron 70-180 and the Canon RFs.
The following 100% crops show the Nikon Z 26mm f2.8 from f2.8 down to f8 compared to the Nikon Z 28mm f2.8, Z 24mm f1.8 S and Z 24-50mm f4-6.3. To eliminate focus shift I re-focussed for each crop when stopping the lens down (up to f5.6). Nikon Z 26mm f2.8 compared; 100% crop from center, APS-C/DX-corner, FF/FX-corner
Z 50 1.8; Z 85 1.8; Z 24-70 4; Z 105 2.8 macro; I'm now in the market for a longer-range lens, mostly for work situations (music festivals, etc., where I will be shooting from a longer distance). I have the budget for one of the following lenses but am having a hard time deciding: Z 70-200 2.8; Z 100-400 4.5-5.6
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nikon z 24 70 f2 8 review
